Friday, February 29, 2008

Practicing

I’ve been trying to get better at guitar lately. I guess I’ve been playing off and on for almost thirteen years now, but still don’t consider myself to be very accomplished. The guitar is a bit of a tricky instrument, in that it really can’t be learned just by reading books and thinking about it. Which is probably true for most things, but somehow took me a long time to figure out!

One thing I tell people who ask me about picking up the guitar is that it can be very frustrating at first, because so much time in the early learning stages is spent just developing the finger strength and muscle memory necessary to get the notes to form cleanly. And once you’ve got that, then you have to spend even more time getting the strings to be quiet when you don’t want them to make noise!

I’ve been trying to put together a bit of a practice routine, gradually building things up as I get a bit better. I thought I’d post it here because a lot of the resources are online, and it’s often pretty difficult to sort the useful training stuff from a million “Learn how to play in ten minutes!” lessons. The thing about guitar, is that it does take a lot of time. But it’s like science in a way - as soon as you learn one thing, five new questions present themselves.

1. Stretching. Often overlooked, but a pretty good idea. I usually start with the stretches recommended by John Petrucci (yes that John Petrucci) in this video.

2. Warmups and Finger Exercises. As I mentioned above, learning to play the guitar involves lots of workouts for your hands (both left and right). Your fingers need to be able to fret notes cleanly, to bar strings, to move fairly independently of each other. You also need to commit several types of movement to muscle memory: switching between common chord types, switching between strings, etc. Unfortunately, the only way to develop these skills that I know of is just lots and lots of practice. I think I read this joke somewhere else, but if someone wanted to write an accurate guitar book, the title could be something like “How I Learned How To Play The Guitar In Just 10,000 Gruesome Hours”.

Anyways, there are tons of exercise books out there, and most will probably get the job done. The one I’ve been using is called “30-Day Guitar Workout”, which has been good for me because it really breaks things down to the simplest level possible (chromatic scales on a single string), and builds from there.

3. Fretboard Navigation and Ear Training. The guitar neck is pretty big. My electric guitar has 22 frets. Including the open string, that makes 23x6 = 138 possible positions to play a note in! It would be helpful to know what each of those notes was! I’ve found Fretboard Warrior to be useful for this. I started out doing 5 minute stretches on this, now I just do 2 minutes at a time.

Ear training is important for any musician. It’s fundamental to figuring out what other musicians are doing, and also for your own playing. To be able to correlate your fingers with the sound you want your instrument to make, you need to have your intervals down. One good online trainer is at Good Ear. I recently downloaded the Phobia Bundle from Major Third, which has nice Mac trainers for Chords, Scales, Intervals, and Inversions.

4. Scales. Learning scales is quite different between the guitar and the piano. Whereas on the piano you need to learn a new major scale for each key, on guitar if you learn, say, a C major scale, you can play a D major scale by moving your fingers up two frets. So in a sense it’s easier to play in different keys on a guitar. To pay for our sins though, we have to learn each of the different scales in different positions on the neck - it’d be quite limiting to only play a C major scale using a single position.

Learning scales is something I’ve been lax about, but am trying to get better at. Right now, I’m doing mainly major scales in CAGED positions, but also natural minor and minor pentatonic scales. Next up, modes of the major scale and the other minor scales!

Like learning how to make the guitar make noise, then spending more time to make the guitar not make noise, learning scales can be frustrating. The goal is to learn them so well that when you’re playing a melody or solo you don’t sound like you’re just playing up and down a scale.

5. Chords and Harmony. Playing more than one note at a time. This is an area that I’m still developing in my practice routine, so I don’t have too much to say here. But it is important to practice the basic open and barre chord shapes until you can move between them easily. That’s probably where I am now. Going forward, you need to be able to build chords all over the neck, and to do that, you need to really understand chord construction and music theory - this music theory book is a good one aimed at guitarists.

6. Video Lessons. A lot of guitar playing is difficult to learn from books, or just figuring out by yourself. To really “learn how to make it talk” you need to go beyond the ‘words’ (i.e., just the chords and notes) and really develop your phrasing. There’s a million little tricks and phrases that are part of the guitar lexicon, but can be difficult to pick up by ear. The best thing to do, I’ve heard, is to find a good teacher. There’s lots of videos on the web as well, but the quality is decidedly mixed. One site I like a lot is Justinguitar.com - he’s got a lot of really good video lessons, and a killer Australian accent!

7. Real Books. A lot of time learning guitar is spent learning other people’s songs, exactly the way they played them. That’s helpful to a point, but it’s also useful to be able to figure out how to play something your own way. This kind of study is common for other instruments, but not so much for guitar. One thing that’s very common in jazz, not so much in rock, is Fake books - books with basic chord progressions and melodies, that still leave a lot of room open for interpretation (here’s a good start). On the guitar, I think a good exercise is to go through a chord chart and try to figure out voicings for the various chords. This is really good for building your chord vocabulary and your sense of harmony. I like to figure out chord voicings with the help of Guitar Pro, then try to play the melody along to the chord voicings I’ve picked. Here’s an example of voicings from “Autumn Leaves”:



OK, that ended up being a lot longer than I had expected! This routine usually takes me about an hour. I’ll say more in other posts - this is really just warmups and technical exercises here. But to wrap up, some caveats and closing advice. As a caveat, I wouldn’t recommend this kind of routine to anyone just starting out, or people looking for different things out of their playing - it’s important to match your practice routine with your goals as a player.

Get a metronome (either online or software or hardware), use it! Keep track of your progress. Record yourself if you can. Do it every day if you can. Don’t cheat. Get it right at a slower tempo before you go faster. When you get frustrated, remember that most rock, folk, and country songs can be played knowing only four chords. Remember that this stuff is just the groundwork that you need to lay down to allow yourself to get to the music - playing scales really fast isn’t an end in itself. End your practice by rocking out to some AC/DC.

Monday, February 11, 2008

Will.i.am vs. John.he.is

This video was making the rounds a week or so ago:



I thought it was really well put together, if maybe a little cheesy. In a long campaign, there’s definitely room for sentimental arguments like this one. This second video, on the other hand, is dead-on and totally hilarious:



The first one is G-Bm-Em-C for any budding guitarists out there.

Sunday, February 10, 2008

They're Totally Cheating Here

M. Ward and Zooey Deschanel making an album together? That’s totally cheating.



Album’s not out til March, but there’s a preview here - sounds pretty good!

Monday, February 04, 2008

After-Action Report



We played a show last Thursday at The Pound. It was my first time there, and I was surprised just how cool the venue was. It’s a converted warehouse, not in the best part of town. The owners/tenants/promoters have totally decked out the inside though, with a bar, living quarters upstairs, a stage down front, and a big screen for projections. The floor is filled with nice couches and bean-bag chairs, giving the big room a pretty cozy atmosphere - it felt good with around twenty people there, and with four times that amount.

Our set started, unfortunately, at the same time as the Habs game went into overtime. From all reports though, we played pretty well - a quick 50-minute or so set. We played mostly original songs this time, which was nice (none by me though). We also had the benefit of a soundman controlling our levels, so it was much easier to hear ourselves than in gigs past. Our next show is March 7, at Le Buddhi Lounge - booked by the mysterious Tej!

Thursday, January 31, 2008

I Almost Forgot


Hey, we’re playing a show tonight!

Where: The Pound (377 Richmond, Montreal)
That’s here:


View Larger Map

We’ll be playing from 9:30-10:30, followed by an open mic. Check it out if you’re around!

Monday, January 28, 2008

By The Second Verse Dear Friends, My Head Will Burst, My Life Will End

Alright, time to finish this series off. The last record in my Top 5 for 2007 is Okkervil River’s The Stage Names.



It’s a great rock record, but it’s mostly on this list for being one of the few records to make me sit up and start laughing as I listened to it for the first time. After an album filled with songs that convey a deep sense of uncertainty, and fear, and confusion, halfway through the final song they just say “fuck it” and break into the chorus of “Sloop John B” by the Beach Boys. Awesome.

Here’s the first track from the album, “Our Life is Not A Movie Or Maybe”:



Wednesday, January 23, 2008

I Don't Have To Even Ask Her

Next up in the Top 5 of 2007 is Band of Horses’ Cease To Begin

I’ve written about Band of Horse’s before in this space. Their last album, Everything All The Time, was one of my favourites of last year (though it came out in 2006), so I had high hopes for the new one.

The new album carries on their trademark sound with lots of reverb, Ben Bridwell’s high clear voice, and spacy guitars. The biggest difference, I’d say, between the two albums is the increase in confidence in both the songwriting and playing: the rock songs are rockier, the cheesy songs are cheesier.

The debut album had a lot of gorgeous, intimate songs laced with uncertainty - whether about a career, or a lover, or whatever. On the new album, there seems to be a lot more confidence, and joy. For example, on the first album, we get “I’ll love you always / Even when I say / You distract me” (from ‘Part One’) while on the new album we get “I’ll marry my lover in a place to admire I don’t / have to even ask her I can look in her eyes”.

My favourite songs on the new album are the opener ‘Is There A Ghost’, the incredibly fun ‘The General Specific’, and ‘Marry Song’. Here’s ‘The General Specific’:



Tuesday, January 22, 2008

I Will Try To Understand, Either Way

Next up in the Top 5 for 2007 - Wilco’s latest, Sky Blue Sky.



I was initially a bit disappointed with this album - it seemed a bit too laid-back, not to sure of itself. Over the last few months though, those qualities have really endeared the album to me - it’s shaky, not quite sure of itself, but not afraid of just going with that rather than trying to ignore it.

At the end of the video linked below, Jeff Tweedy (Wilco’s songwriter) describes the album as him talking directly to his wife, which seems pretty apt - most of the songs are straightforwardly about relationships. But whereas on earlier albums, Tweedy’s problems would be masked with poetry and strange sounds, everything is direct here, both in the words and the instrumentation.

This is also the first Wilco album to feature the new seven-man lineup (which has been touring together since 2004’s A Ghost Is Born). The band is definitely tight, and that’s one of the real pleasures of the albums - hearing songs that feel like there’s a push-and-pull going on between seven people in a room, rather than the more methodical production of the previous albums.

Having said that, the album does get a bit monotone, and lulls seriously in the middle after the strong opening trio of ‘Either Way’ / ‘You Are My Face’ / ‘Impossible Germany’. The album does end strongly, with ‘Walken’, and maybe Wilco’s most hopeful song ever: ‘What Light’.

Here’s Wilco in the studio performing ‘Impossible Germany’. I love the way this song starts straightforwardly with a few verses, then breaks into an incredible guitar solo from Nels Cline:



Monday, January 21, 2008

And Weeeeeiiirrrrdddd Fiiisssshhhes

This isn’t turning into the daily series I’d imagined. But anyways, the top 5 albums of 2007 continues with the obvious choice: Radiohead’s In Rainbows.

Initially released for ‘pay-what-you-want’ on the internet, to great hype, the album is certainly Radiohead’s most interesting aurally, and best produced. The songs build from simple drum loops or beats, accompanied by swirling guitar or keyboard arpeggios, all topped off by Thom Yorke’s unmistakable voice.

Thematically, the songs seem at first glance as bleak as ever - from ‘I only stick with you because there’s no one else’ in “All I Need”, to ‘Don’t get any big ideas / they’re not gonna happen’ in “Nude”. But coupled with the music, the album ends up being quite optimistic - the music rises above the initially bleak lyrics, offering escape and solace, or just walls of noise to drown everything else out.

It’s hard to pick a high point, as with most of the best Radiohead albums (OK Computer, The Bends, Kid A), because they’re such cohesive albums. But I’d say my favourite tracks are ‘Nude’, ‘Reckoner’, and ‘Faust Arp’.

Radiohead have been doing a ton of web publicity for the new album, so there’s lots of good clips to pick (More can be found at their YouTube channel). Here they are, playing the whole new album live in the studio:

Wednesday, January 16, 2008

Did I Mention How I Love You In Your Underwear?




First up in the top 5 is Josh Ritter’s The Historical Conquests of Josh Ritter. I only recently came across Josh, and I’ve recently become a bit obsessed: the music ranges from sparse folk to stomping rockers, though the real attraction for me is his lyrics. Sometimes they’re immediate, lusty, and joyful, sometimes a bit more abstract, but there’s always something to dig into.

For example, the lead track “To The Dogs Or Whoever” probably best illustrates the title of the album, and the way he blends poetic imagery with more immediate concerns. In the song, Ritter compares a lover to “Florence, Calamity and Joan of Arc” immediately before saying “I love the way she looks in her underwear”.

Other standout tracks include the ballad “The Temptation of Adam”, which imagines a romance in a nuclear missile silo, and “Rumors” - a great, frustrated breakup song. Here’s a recent complete concert, starting off with the aforementioned “To The Dogs or Whoever”:



For more Josh, also check out The Animal Years, which is even better but came out in 2006!


LATER EDIT: I forgot to mention that Ritter's from Moscow, Idaho - right near where I grew up.

Monday, January 14, 2008

Music in 2007: The Best of the Rest


I’ve been a bit late in posting my year-end favourite music list. For awhile, I thought it was because there weren’t that many albums I was very crazy about in 2007. But, with a bit more reflection, there actually were quite a few great ones. I’m going to write separate entries for each of my top 5, but here’s the best of the rest:

I’m Not There Soundtrack
Iron and Wine - The Shepherd’s Dog
The National - Boxer
White Stripes - Icky Thump
Spoon - Ga Ga Ga Ga Ga
St. Vincent - Marry Me
Ryan Adams - Easy Tiger
Bright Eyes - Cassadaga
Feist - The Reminder
Of Montreal - Hissing Fauna, Are You The Destroyer?
Elliott Smith - New Moon
Kings of Leon - Because of the Times
Modest Mouse - We Were Dead Before The Ship Even Sank
The New Pornographers - Challengers
Andrew Bird - Armchair Apocrypha
Arcade Fire - Neon Bible
Bruce Springsteen - Magic

If the me of a year ago could see that list, I think he’d be very surprised to see new records by Iron & Wine and Ryan Adams not in the top 5, and even more surprised to see a Bright Eyes album anywhere near the list! I’ve linked to a decent YouTube or other sample if you’d like to check any of them out. Any guesses as to what’s in the top 5? Some of them are obvious.

Wednesday, January 09, 2008

You've Got The Future In Your Hands

Watching Barack Obama’s concession speech last night after the New Hampshire primary results came in, I was surprised to hear him leave the stage to Stevie Wonder’s “Signed Sealed Delivered I’m Yours”. Y’know, the song with lyrics like:

Like a fool I went and stayed too long / Now I’m wondering if your love is still strong?

And:

Then that time I went and said goodbye / Now I’m back and not ashamed to cry

And especially:

I’ve done a lot of foolish things / That I really didn’t mean

I’ve actually heard this song used at political rallies a few times, and it always seems like a strange choice. Anyways, I’m not quite ready to change my prediction on the Democratic side (and I did predict Iowa!), but it looks like I can be happily wrong about Rudy Giuliani!

Friday, December 14, 2007

Everybody Knows This Is Nowhere

I’m reading Shakey, the Neil Young biography, and so far it’s pretty awesome. I’ll say more when I’m done, but for now, here’s a sampling of the index subheadings for “Young, Neil”:

Young, Neil:
        alcohol and,
        attracted to quirky people,
        banjo played by,
        boats of,
        changeability and spontaneity of,
        chicken farm run by,
        corporate sponsorship mocked by,
        disappearances by,
        drugs and,
        as Godfather of Grunge,
        hearse driven by,
        model trains as interest of,
        shyness and introversion of,
        tour buses of,
        vintage cars collected by,
        women and,

Now, does that sound like an interesting book or what?

Uninformed Political Prognostication

I spend a fair amount of time following US politics - much more than Canadian politics. I couldn’t really say why, though maybe it’s just that the villains are just crazier and more obvious. Anyways, with the first primaries a few weeks away, I thought I’d make some predictions. To get an idea of how good I am at this, I’ll say I was sure Gore was going to win easily in 2000, and sure that Kerry was going to win in 2004.

On the Democratic side, I think Barack Obama is going to finish his comeback and win in Iowa, then go on to win the nomination. I’d prefer him over his main two rivals simply because he’s a newer face that doesn’t immediately summon visions of the battles of 2004, or all of the 90s. But really, I think any of the main three Democratic contenders would be alright, in the sense that any of them would be much better than any of the Republicans.

As for the Republicans, it would be funny if it weren’t so scary that one of these guys is going to be nominated to become the President. This video sums up the field pretty well:



As for a prediction, I think Giuliani is going to pull it out - he’s the favoured candidate of the corporate interests that run the GOP, and they usually get their way over the social conservatives.

In the general, I think the Democrat wins easily. So, given my record of predictions, that means four more years of war, climate change denialism, and crazy health care. Awesome!

Saturday, December 08, 2007

Saturday is YouTube Day

Alright, back at it on a clear and snowy day in Montreal. First, a quick one for while I’ve been away:



Hey, Radiohead has a new album out. It’s pretty good:



And, keeping with the live music theme, here are some hip young gunslingers covering the Jayhawks:



Tuesday, November 27, 2007

It Was Christmas Eve, Babe, In The Drunk Tank

Our band of grad students is going to play a few songs at the annual departmental Christmas party, so we’ve been casting around for a few Christmas-themed numbers to play. Here’s what we settled on - if you’re actually going to be there and want to be surprised, maybe skip this one.

First, we have The Pogues’ “Fairytale of New York”:



I think the Pogues were a band I’d heard of, but not actually heard, so it was nice to get into them. I really like the song as well, though I hope we get away with the lines “You scum bag / you maggot / you cheap lousy faggot”.

Next up, the Ramones with “Merry Christmas (I Don’t Want To Fight Tonight)”:



I’m discovering that I don’t really have a punk-rock voice. Should be a fun show!

Tuesday, November 20, 2007

Sunday, November 18, 2007

To Know And Feel Too Much Within

Since I wrote a whole post just about the tracklisting of the I’m Not There soundtrack, I should probably follow it up with some comments on the actual music.

On the whole, the album is pretty remarkable, though it’s quite a lot to take in a single sitting. Clocking in at over two and a half hours, it definitely has high and low points. Since the high points are so high though, I’d say the album is well worth the investment.

Bob Dylan’s voice is one of the most often-cited reasons people give for not getting into his music. It’s definitely an acquired taste, though I like it quite a bit. One fair criticism of his voice though, I think, is his fairly limited emotional range as a singer. Turning over the vocal duties to a ton of great singers, then, really lets the emotional variety of his song-writing come through.

Cat Power’s totally sexy take on “Stuck Inside Mobile With The Memphis Blues Again” is one of the highpoints, as is Karen O of the Yeah Yeah Yeahs voice on “Highway 61 Revisited”: it’s partly dangerous, partly silly, partly just rocking. Willie Nelson, Jim James, and Mark Lanegan add a lot of sadness and heaviness to their songs, as well.

Sufjan Stevens is insufferable as ever - with a six-minute-plus cover of “Ring Them Bells” featuring multiple orchestral breakdowns. I’ve tried a few times to get into him, and managed to like “Illinois” for a few weeks at one point, but I’ve given up on him for now.

The two backing bands, the Million Dollar Bashers and Calexico, are both outstanding, though the Bashers really only get to show off their full chops on “All Along the Watchtower”.

A few more things I thought were interesting:

- Jeff Tweedy uses a later version of the words to ‘Simple Twist of Fate’, with the totally heartbreaking last verse:

People tell me it's a crime
To feel too much at any one time
She should have caught me in my prime,
She would have stayed with me.
Instead of going off to sea,
and leaving me to meditate
upon that simple twist of fate.


- In the included version of “You Ain’t Goin’ Nowhere”, they use the modified line “Pull up your tent McGuinn, you ain’t goin’ nowhere”. Dylan recorded that version later as a slam against Roger McGuinn, who had messed up the words when he recorded his own version on The Byrd’s Sweetheart of the Rodeo. Ironically, McGuinn also appears on this soundtrack.

- As excited as I was to see Sam Beam reunited with Calexico, I think their track together is just alright. Calexico is great on the album though - their tracks with Jim James and Willie Nelson are absolute standouts.

Monday, November 12, 2007

Horses of Bands

I finally saw Band of Horses (not to be confused with HORSE the band) last week, after listening to their album Everything All The Time, well, all the time this year. They’re touring on their new album Cease to Begin, and played La Tulipe, upgrading to a larger venue from their last time here (at Sala Rosa in August).

I was introduced to Everything All The Time during my yearly scouring of year-end ‘best-of-the-year’ lists at the end of last year, so a lot of the memories I associate with the album are from that period - skiing to and from work at dawn or at twilight, or through the darkness. Anyways, the album itself is pretty great - sparse folky guitar numbers coupled with a few really energetic rockers, all held together by Ben Bridwell’s amazing tenor.

La Tulipe is one of my favourite Montreal venues - small enough to feel intimate, big enough to not feel cramped. The show was fairly typical for a band on its second album - not too long, with most of both albums being played. We got a few treats near the end though - a half-speed version of “Wicked Gil”, and then a supremely rocking version of Them Two’s “Am I A Good Man?”.

While most of the songs in the main set focussed mainly on Bridwell’s guitar and voice, the closer really let the rest of the band shine. The call-and-response vocals were done brilliantly, with Bridwell and the keyboard player trading lines throughout.

Here’s a few videos:

The new single “Is There A Ghost”:



And a live version of “Am I A Good Man?”:



Sunday, November 11, 2007

Lest We Forget


In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved, and were loved, and now we lie
In Flanders fields.
Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.

— John McCrae, 1915